I learned photography shooting black and white film. My go to camera was my trusty 35mm Nikon FE2. I must have pushed thousands of rolls of film through that little beast and is still works. I don’t do film anymore, but I can’t part with that camera.
When the digital age came along, I started experimenting with them, but I wasn’t really impressed. Then Nikon introduced their pro level cameras and I saw the end of film on the horizon. I bought a D70 on a trip to Kuala Lumpur and have been hooked on digital ever since. My latest rig is a D700, which I have had since it was released. There are newer and better cameras out there, but I’m happy with my D700.
Yesterday I was on a run and paused to take a shot with my iPhone. Actually, I took several because…well, just because. That’s what you do. You just respond to a scene that calls out to you. It’s part of my running mode these days. Stop and enjoy what you see. Running can take you to places you won’t/can’t see from a car.
The reflection of the sky on the water caught my eye and then the edginess of the trees offered an unsettling contrast to the tranquil sky. I was 7 miles into a 10 mile run, so there’s no telling where my mind was.
Then I saw a rock. One that I have passed a hundred times, but this time it looked different.
I don’t like how the top of the rock is washed out. Extreme contrast is a limit on phone cameras. The new growth of spring was a soft contrast to the hard rock surface that reinforced the grey to green.
I thought about that shot as I ran the last couple of miles and had wished I had my old 4×5 view camera to take it in black and white with excessive detail. A view camera is one of those with a bellows and a ground glass plate where the image is focused. You have to drape a cloth over your head and around the back of the camera to see the image. And the image is upside down and reversed left to right. There is no better way to develop compositional skills. It is also a real pain in the ass to carry around, setup, load film into and develop each sheet of film. But the results were astounding.
This morning I followed my black and white muse as the sun rose. Leaves are just beginning to emerge on the trees surrounding our house. The juxtaposition made it feel as if they were on fire. In color it looked interesting, but bland. My vision was in black and white when I took them. I previsualized what I wanted. In both cases I cropped the shot and did a little post production shift of contrast, but not much. It would have been the same work I would have done by altering the developing times and shooting the print on different contrast paper if I was using legacy methods.
The graphic pallet of this shot is very nice. I see some issues with it, but the image is still strong. Stronger in black and white than in color. I worked it so that there were no absolute whites and some texture in the very dark areas. What appeals to me is the repetition of vertical strokes with some lateral conflict as a backdrop to the shimmering leaves.
Admittedly, I should have taken a bit more time and used a tripod. There was a slight breeze, which would normally have stopped me because of loss of clarity, but not today. I was just playing around and having some fun with my visualization. Just like my running, I don’t take it too seriously these days. I just do it for enjoyment and my own enrichment.
Here’s the other shot from the same timeframe.
I softened this one a little. Quite frankly, I screwed up the exposure, but the result was to make the shadows very dark. Which worked out OK. You know they are leaves on trees, but if you look at it long enough your eyes follow a pattern and each grouping leads to the next. The bright leaves centered on the abyss keep you coming back to the center.
I had forgotten how nice black and white is and how it makes you think more about what you are shooting. These are not the best shots in the world, but I like them because they reminded me to look deeper at what is around me.
More to come.